Noffey Haneffesh tells the universal story of childhood in times of upheaval, as conveyed by some of the most extraordinary international woman writers.
Done mostly on location, these intimate encounters mirror a rainbow of human existence shaped by injustice, turmoil and struggle, and still victorious: six year-old Russian Svetlana Vasilenko awaiting death while caught between the Powers dueling with nuclear bombs; the little Italian child Dacia Maraini starved in a Japanese concentration camp; twelve-year-old. Belgian Amelie Nothomb, reading by candlelight in a Bangladeshi lepers' house; five-year-old Leena Lander living in the Finnish prison for delinquent boys where her father worked as a supervisor, contemplating in fear and horror her sexually mangled doll found thrown in the forest; eight-year-old Palestinian Anissa Darwish torn by war from the Malkha village of her sweet childhood - all and each of the writers in this book map the way to survival and hope.
They ask us also to take a second look at our own life, and, well informed, to make sure the right decisions are taken in all that concerns this precious little world.
As a literary form, Noffey Haneffesh (ONCE SHE WAS A CHILD) is a hybrid: it owns the genes of literary fiction, with its attention to language, ambiguities and symbols, carved out by the author's mostly invisible questions, and editing; and it carries the genes of narrative nonfiction as those are real life stories of real, and most impressive persons, showing how gloriously they've survived Evil.
Glimpses from The Past, of childhood recollections, set, like pearls on a string, with the author's journal as the connecting thread or background. The reader is invited to absorb. At the end of the book s/he'll discover in a separate section, as an addendum, how far they've reached in The Present.